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breakbeats


  • BHK Samples announces Halloween Sale – 30 off packs
    BHK Samples has launched a Halloween Sale, offering a 30% discount on its sound packs for a limited time. Are you looking for authentic-sounding drum n bass synth patches, drums, BREAKBEATS or just inspiring samples ... read more The post BHK Samples announces Halloween Sale 30% off packs appeared first on rekkerd.org.


  • Fantasma Free Love review – astonishing South African fusion collective
    (Soundway)Last year, MUSIC an Spoek Mathambo and film-maker Lebo Rasethaba explored the myriad forms of South African MUSIC in the feature-length documentary The Future Sounds of Mzansi. Now Mathambo is taking his own MUSIC in


  • The Chemical Brothers Unvault Track That Didnt Make The Album
    The Chemical Brothers have casually released a bonus track on the deluxe album edition of 'Born In The Echoes' dubbed "Wo Ha".The bonus track that's emerged from the duo’s Manchester vault is filled with a vile of discordant echoes smothered by an intense haunting bass-line. I can see why the duo couldn't resist including it in some fashion with the insatiably throwback BREAKBEATS style tone being too good to hide.While you investigate this newbie, you should also check out the 7 timeless remixes of The Chemical Brothers that are too good to not be heard!


  • BeatSkillz releases Breakdance Drums plugin with 80s drum kits at 20 off
    BeatSkillz has launched Breakdance Drums, a new virtual instrument that features processed drum sounds from the 80s, the era of BREAKBEATS and


  • Henrik B Rudy Leave A Light OnSumPPLzKids Remix Breakbeats 2015
    submitted by sodang [link] [comment]


  • Sleigh Bells Jessica Rabbit review – noisepop duo branch out
    (Torn Clean)When Sleigh Bells first roared into view in 2010, it felt as if they were less a band and more a conundrum: namely, can a group simultaneously be cranium-crushingly loud and chart-botheringly sweet? Four albums later, and with that question conclusively answered, the noisepop duo have decided to branch out a little. Jessica Rabbit is still clearly a Sleigh Bells album – the recognisable thud of Derek Miller’s distorted guitar lines on bruising opening track It’s Just Us Now stands as punishing confirmation of that – but there’s a wider sonic palette on show than on previous efforts: snatches of synth and GLITCH BREAKBEATS jostle for attention alongside Alex Krauss’s clean, poppy vocals. Indeed, where once Krauss’s voice felt overwhelmed by the cacophony behind it, here it’s given star billing, gliding over the rap-rock riff of I Can’t Stand You Anymore and providing a punchy counterpoint to I Can Only Stare’s frosty RB. An encouraging move into new territory. Continue reading...


  • Behling Simpson – MEOKO 64
    Number 64 of the acclaimed MEOKO podcast series arrives courtesy of Bristolian bass heads Behling Simpson. Starting life as celebrated urban duo Baobinga I.D, Sam Simpson and Ed Bayling decided to trade in 130 BREAKBEATS for 120 4/4s as HOUSE MUSIC rapidly began to infiltrate the British west coast. Releases on 2020 Vision The post Behling Simpson MEOKO #64 appeared first on Mixing.DJ - Electronic Music Magazine.


  • Abstract HipHop Deep and Tech Drum Kits released at Sample Magic
    Sample Magic has introduced Abstract Hip-Hop, a new sample pack featuring Trip-Hop driven melodics and dusty breaks. Dive into an expansive world of skittering BREAKBEATS experimental ELECTRO ics, finely-tuned sample cut-ups and fat analogue synths. SM153 Abstract Hip-Hop contains 1.3GB+ of soulful keys, monolithic synth stabs, jazz funk bass lines, and RB-inspired melodics. Crafted to perfection, []


  • DJ RASHAD RIP
    DJ RASHAD RIPChicago FOOTWORK pioneer dies, aged 34Issue:533DJ Rashad, one of the pioneers of FOOTWORK died at the weekend in his home city of Chicago. He was 34. Rashad Harden released several albums over the past few years, most recently 'Double Cup' on Hyperdub. One of the album's best tracks, 'Let It Go' (below), epitomises the FOOTWORK sound,


  • CMRN Hex Cougar and Creator NINTH CHILD Release Chilling Music Video For “Tides”
    CRMN and Hex Couger team up to deliver “Tides”, a brand new track with visuals by Ninth Child. It is a beautifully crafted track that starts us off with a chilling piano melody, followed by a crescendo of BREAKBEATS that drops into a stunning melody of vocal cuts and explosive synths. The song alone is [] The post CMRN Hex Cougar and Creator NINTH CHILD Release Chilling Music Video For Tides appeared first on RaverRafting | We Are The Scene.


  • Loop Tempoinator 10 by jonnay
    A-hah Perry the Breakapus Now I will show you the instrument of your doom... ...THE LOOP TEMPOINATOR! This Max for Live device scratches an itch I have had for awhile. When using BREAKBEATS chop ...


  • Get Trippy With The Latest From NuAlias
    Coming off their original released back in January Trippin, NuAlias is back at it again with another new one titled Nox. This one will definitely have you trippin with its BREAKBEATS and mid-tempo vibe and industrial synths. NuAlias is really starting to establish a sound for themselves with this heavy industrial and funky GARAGE sounds [] The post Get Trippy With The Latest From NuAlias appeared first on thissongslaps.com - Electronic Dance Music Hip-Hop Media.


  • The playlist – electronic Laurel Halo Special Request Grischa Lichtenberger and more
    Decaying TRANCE tracks and BREAKBEATS that sound like they’ve been beamed in from 1993 … this week’s ELECTRO ic


  • LISTEN TO DIEMANTLES NEW SLAMMER WAY I FEEL
    DieMantle — if you weren’t aware already — isn’t some fresh new producer we’ve just uncovered, but two people that you’ll surely be familiar with if you’re a UK bass head. Made up of the dream partnership that is DJ Die and Dismantle, the duo are refusing to be slotted into a box by stitching together elements of popular club culture, and creating something immensely exciting and vital in the process.  ‘Way I Feel’, which we’re premiering now, throws together much-loved tropes from the UK underground, including ragga samples, BREAKBEATS a DB synth line and a “pull up!” vocal. Take a listen now:Media: IMG_5507.jpgDJ DieDieMantleDismantleDJ Die Dismantle team up!Navigation Section:NewsSection Priority:Priority 1


  • Gold Panda Good Luck and Do Your Best review – warmly immersive electronica
    (City Slang)It would be unfair compare Gold Panda to Caribou on the basis that they both make immersive, tender ELECTRONICA have at one point or another been signed to City Slang, and are named after cute mammals. But if the latter’s shuffling house rhythms and minor-key samples give you a kick then Mr Panda is certainly a pleasing chaser. He has not yet reached the same heights as his labelmate, perhaps because he favours GLITCH over a good hook. But his fourth album, though still twitching with IDM, BREAKBEATS and


  • Lone Backtail Was Heavy
    After making listeners dial a hotline to hear his new single last week, Lone has delivered a stream of "Backtail Was Heavy" for those of us who couldn't hear it over our handsets. Much like the early rave culture that the producer's phone call promo drew from, the new track is full of knocking breakbeats that harken back to the '90s, giving way to his identifiable synth sounds every so often. Lone's last full-length release was 2014's Reality Testing, released through RS Records. Take a listen to "Backtail Was Heavy" in the player below.


  • Goldie The Journey Man
    As originally seen on Exclaim.ca.There's a moment early on The Journey Man, around 75 seconds into opening track "Horizon" — when Goldie's signature polyrhythmic drum beat kicks in — that comes off tremendously gratifying for long-time fans of the drum'n'bass legend.   The full-length, Goldie's first in 19 years, keeps his formula locked down, deftly realizing that the appetite for street-savvy London-hailing bass music has returned. With stunning vocals from a host of up-and-comers, including Natalie Duncan, Terri Walker, Natalie Williams and (his wife) Mika Wassenaar Price, Goldie masterfully blends bellicose, jagged breakbeats with soulful reveries on tracks like the potent "Mountain," the sexually charged "I Think of You" and the modernised "Tomorrow's Not Today."   The Northern England producer still finds room to break up the groove he's created, though, adding a handful of raucous instrumentals alongside male vocal-featuring tracks from Tyler Lee Daly (on the Paisley-funk "Castaway") and Jose James (on the straight-up piano ballad, "Truth").   At 16 tracks and a whopping 110-minute runtime, there are some songs that blend into the other, but it's a testament to Goldie's creativity and flexibility as an artist that there's never a single moment on The Journey Man that sounds compromised.


  • Luis Dreamt Takes
    Brooklynite Brian Piñeyro has been getting into breakbeats lately, with his new aliases, Luis and DJ Xanax, folding iconic drum sounds into unusual club-ready s..


  • Your EDM Exclusive Interview Mella Dee
    Mella Dee is truly in a lane of his own. Anyone familiar with the British producer will be aware of the genre-defying dark sounds he manages to conjure up. Infusing the energy of jungle breakbeats with gritty techno basslines, the result is an all-out assault on your sub woofers. Last years Keep On was an [] This article was first published on Your EDM. Source: Your EDM Exclusive Interview: Mella Dee


  • Goldie webchat – post your questions now
    The actor and drum’n’bass pioneer is joining us to answer your questions in a live webchat on Wednesday 13 May at 1pm BST – post yours in the comments below 9.42am BST Emerging out of Jamaican soundsystem music, but forged in the pirate radio stations and claustrophobia of London, jungle was a revolution in 1990s dance culture and Goldie was its figurehead. Producing and DJing as the leader of the Metalheadz label, the music he championed was full of skittering, quicksilver breakbeats and dystopian moods. He shepherded its evolution into drum’n’bass, ending up on coffee tables as well as grimy clubs, and made ambitiously symphonic tracks like the 22-minute Timeless and the hour-long Mother. Continue reading...


  • hear an amazing and overthetop remix of Lana Del Reys Love
    Recycle Culture is back. The producer, who has a track record of making great Lana Del Rey edits, shares a completely over-the-top and perfect new LDR remix -- officially titled ​​ - ۰۪۫L۪۫۰۰۪۫O۪۫۰۰۪۫V۪۫۰۰۪۫E۪۫۰ - Rะcycle Cะltures ▂▃▄▅▆▇█▓▒░【W】░a░【I】【L】░o░v░e░【S】【O】░u░【N】░d░▒▓█▇▆▅▄▃▂ -- which he describes as all breakbeats and Wall Of Sound samples, featuring inspired and pitch-perfect samples from the Ronettes, the Beach Boys, and the Flamingos... Continue reading


  • Skee Mask Shred
    Breakbeats are tricky. They're some of the most classic and identifiable sounds in dance music, going back to the '80s, so they're a hard thing to make your own..


  • Wysing Arts Centre festival review – silky breakbeats and brooding techno
    Wysing Arts Centre, CambridgeThere’s everything from b-boy dance and a Spice Girls-inspired art installation to party funk at this woolly but wonderful party in deepest CambridgeshireWysing Arts Centre is a residential set of studio spaces in the middle of the Cambridgeshire countryside, and once a year it hosts this underground music festival. An assortment of archimage-level hipsters are bussed out to the venue, where the musicians are united by a common theme: this year it’s Space-Time: The Multiverse, on “altered states and multiple identities”. This is a bit of a woolly get-out to allow absolutely any style, from brooding techno to post-punk, but no matter – the quality is almost uniformly excellent.A set of electronic drone by Bruce Gilbert, of Wire, and the duo Beaconsfield ArtWorks is ponderous, but the main stage then hosts far more emotive work. Beatrice Dillon proves why she is British techno’s brightest prospect. Using a generic dance palette that you might hear in a white-leather cocktail bar, she splashes it with brilliant authorial touches: a scrape of jazz guitar here, a wail of live sax there. Drill Folly provides icily bracing industrial attack, while Klara Lewis is the highlight of the festival, dragging us from an inky ambient wash into the clouds of a techno climax. James Holden’s collaboration with contemporary dancer Lucy Suggate is a little overlong, but constantly arresting. Suggate moves like a blend of b-boy, toreador and ballerina, centimetres from the crowd, to silky live breakbeats and Holden’s modular and digital synthesis. Continue reading...


  • Trying to figure out a specific house subgenre so I can find more of it
    I want to call it, tech garage, I guess? I'll link a few tracks so you know what I'm talking about: Aaron Jackson - Drop The Bass https://soundcloud.com/aaron_jackson/wayne-h-aaron-jackson-drop-the Fred V - Forest Fires (Taiki Nulight Remix) https://soundcloud.com/taiki-nulight-uk/fred-v-grafix-forest-fires-feat-etherwood-taiki-nulight-remix Grades - Crocodile Tears (Cause Affect Remix) https://soundcloud.com/gradesofficial/crocodile-tears-cause-affect-remix Spekktrum - Babylon https://soundcloud.com/spekktrummusic/spekktrum-babylon-bass-out-1122014-on-saucy-records Any idea? Is this just a branch of tech house? Most of The tracks use breakbeats instead of the usual 4/4 for the most part. Also I find the bass notes are have a ton of reverb and echo on them, as do a lot of the samples. I can see a similarity in the tracks, I doubt the genre has a name however. submitted by firestarsoundsystem [link] [comment]


  • DJ Mag 540 December 2014
    DJ Mag 540 December 2014 There's something reassuring about musical nostalgia, revisiting the past and digging into formulas you know will work. Producers are delving into many eras of classic dance just now, from the breakbeats and big riffs of hardcore to the soulful sounds of '90s house. But there's another way of looking at it too. Our cover stars this issue Night Slugs (or label bosses L-Vis 1990 and Bok Bok) have made a virtue of digging into the obscure crates of the past and finding records that, while unappreciated at the time, pointed to the sounds of the future. By recontextualising these, and placing them alongside stripped-back new beats, they're making a contribution to moving dance forward by respecting its lineage. Similarly, Slam (also featured this issue) have found ways of combining analogue equipment with modern tech, and are mining arcane electronica to construct gleaming new sounds. In this time of instant gratification when many music websites seem blissfully unaware of dance history, it's pleasing to know DJs and producers both established and upcoming are connecting to the past and using it to create something new. Don't forget to download our app now for FREE!


  • Premiere Antony amp Cleopatra Take Me Pat Lok Remix
    Pat Lok goes in on London based duo Antony Cleopatra with a steamy take on their latest that'll have you sweating.Talking real house bizz Pat brings out the best in "Take Me", the latest from the pairing who digress on the original;"Take Me exists in the liminal space between remix and original, between 90s and future, between bass and rave. We draw heavily on the traditions of UK dance music, and this track is at its heart a shout out to all of our favourite elements. Diva vocals, breakbeats and dark textures combine into a track out of time, forward thinking, yet honouring of the past."The remix takes all of that and stitches is up into a high class, couture spec re-rub with plenty of fatty synths and glossy noises. Those piano stabs right?Get your copy on iTunes now thanks to the buds at Vitalic Noise


  • Best albums of 2014 No 9 Youre Dead by Flying Lotus
    Steven Ellison’s fifth album saw him finally embrace his aunt Alice Coltrane’s passion for jazz, but with a twist that explored the genre’s intersection with hip-hop See the full countdown so farNominate your pick in our form at the bottom of the articleOne fact almost always mentioned when someone writes about Flying Lotus, aka Steven Ellison, is that his aunt is astral jazz pioneer Alice Coltrane. That family connection may have led Ellison down a similarly experimental path: in the eight years since his debut album, 1983, he’s melded scattergun breakbeats with abstract noise, using electronica, hip-hop and even jungle as his building blocks. But rarely in that mix would you find him explicitly delving into the world of jazz. That is until You’re Dead!, the first record of Ellison’s to fully engage with the genre. Originally planned as a straight-up jazz record featuring Ellison alongside fellow Brainfeeder signee Thundercat on bass, it slowly morphed into an even more ambitious, wide-ranging album with guest appearances from the likes of Kendrick Lamar, Snoop Dogg and Herbie Hancock. This meeting of jazz and hip-hop is what the album excels at exploring, with Lamar’s verse on Never Catch Me sitting on top of what you could safely describe as virtuoso bass playing, plus soaring synths and boom-bap percussion. It’s bold, ambitious and, most importantly, it works. Please sign in, or create a Guardian site account, to nominate your choice Continue reading...


  • The Wild Style Breakbeats 7″ vinyl box set WANT
    While there have been many films about Hip Hop, few capture the original essence like Wild Style. It features all four elements of Hip Hop, and in particular gives glimpses of how DJs use to rock crowds when it was just about two turntables, a mixer, and emcees. Kenny Dope gathered together the beats used in the movie and packaged them all up into a 7" vinyl selection and a book. I want this so bad. For other great stories like this, please check out DJWORX.


  • REDSHAPE TO RELEASE UK RAVE INSPIRED RECORD BLEEP REPEAT
    Redshape next release, 'Bleep Repeat', will pay homage to UK rave.The German producer is putting out his second 12” of 2015 on his own label Present. The release features two “retro-tinged acid techno cuts,” according to the press release.The A-side ‘Bleep Repeat’ is, as its title suggests, inspired by the Northern strain of UK rave. While B-side ‘Paper Blades’ features “hissing breakbeats and a sinewy bassline”. ‘Bleep Repeat’ is out 4th December, listen to samples of both tracks below.Media: 2014-aus-redshape-tour-2.jpgRedshapeBleep RepeatThe producers drops two cuts on German label Present in December Navigation Section:NewsSection Priority:Priority 1


  • Deal Save 50 off Mayhem of Loops library by UVI for limited time
    Plugin Boutique has launched a sale on UVIs Mayhem of Loops, a sound library for UVI Workstation featuring a premium loop and construction kit archive. Explore thousands of high-quality loops and construction kits in this massive collection covering dozens of instruments, playing techniques and popular genres such as drums, breakbeats, solo instruments, effect loops, vocal []




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